The claim is made that a WCAG 2.1 luminance contrast formula with a flare correction of 40%, rather than 5%, gives high correlation to the results from APCA.
5% is already far too high.
40% means that black (#000) looks the same as color(srgb-linear 0.4 0.4 0.4) which is rgb(66.52% 66.52% 66.52%) or in other words, a pretty light grey.
That can happen, for example a dim projector in a bright room on a white screen, with the audience saying "we can't read the slides". But it doesn't seem a reasonable basis for a lightness contrast algorithm.
The observed correlation is interesting, certainly, but I don't see flare correction as a reasonable model to explain the correlation.
I also don't really see the WCAG luminance ratio (tweaked or not) as a useful model going forward, because luminance is not at all perceptually uniform. Simply put, a mid grey is no where near the middle in a black to white luminance ramp, while it is at the middle in CIE Lightness or OKLab Lightness or UCS16 J, all of which try to model perceptually uniform lightness.
The claim is made that a WCAG 2.1 luminance contrast formula with a flare correction of 40%, rather than 5%, gives high correlation to the results from APCA.
5% is already far too high.
40% means that black (#000) looks the same as color(srgb-linear 0.4 0.4 0.4) which is rgb(66.52% 66.52% 66.52%) or in other words, a pretty light grey.
That can happen, for example a dim projector in a bright room on a white screen, with the audience saying "we can't read the slides". But it doesn't seem a reasonable basis for a lightness contrast algorithm.
The observed correlation is interesting, certainly, but I don't see flare correction as a reasonable model to explain the correlation.
I also don't really see the WCAG luminance ratio (tweaked or not) as a useful model going forward, because luminance is not at all perceptually uniform. Simply put, a mid grey is no where near the middle in a black to white luminance ramp, while it is at the middle in CIE Lightness or OKLab Lightness or UCS16 J, all of which try to model perceptually uniform lightness.